On "Engram is a sampler that turns broken AI hallucinations into music"

The interesting move here is inverting what everyone expects from "AI music tools"—instead of using AI to generate finished compositions or vocals, they're using it as a mangling, unpredictable effect processor. That's closer to how musicians actually innovate with gear: the happy accident, the broken tool that sounds cool, not the complete output. For practitioners, this matters because it positions AI as a texture and exploration layer rather than a replacement for human decision-making, which is probably where the non-hype adoption actually lives. If Engram delivers on that premise, it's a different conversation than the thousand "generate a song in seconds" startups.